The alto aria “Erbarme dich” was sung superbly by Martha McLorinan, who beautifully conveyed the deep sorrow of the text, and the solo violin passage which opens the aria was given a gorgeous fluidity from Orchestra 1 leader Lucy Russell.
The Artsdesk, April 2019
Written by Miranda Heggie
Soloists Charles Daniels, Marcus Farnsworth and Martha McLorinan were outstanding… Martha McLorinan- singing the first alto solos- had a warm expressivity notably in the aria Erbarme Dich
The Guardian, April 2019
Written by Rian Evans
The alto soloist, Martha McLorinan, with a richly glowing tone, had a touching Aztec cradle song- a moving interpolation; and nurtured finely the lilting setting of a tragic mini-ballad by Mary Coleridge.
The Church Times, February 2019
Written by Roderick Dunnet
Lucy Crowe, with honeyed tone and impeccable control, brought Belinda to life, and Edward Grint, on top form and ably supported by two malevolent witches (Martha McLorinan and Anna Harvey) and a cackling choir, cast his spells with just the right element of pantomime evil.
seenandheardinternational.com, February 2019
Written by Chris Sallon
Roles were such dependably pristine singers as Lucy Crowe, Miriam Allan, Benjamin Appl and, particularly, Edward Grint, Martha McLorinan and Anna Harvey as a clearly transgender Sorceress and his/her devilish little helpers.
The Times, February 2019
Written by Richard Morrison
A special mention must go to Miriam Allan and Martha McLorinan… as Second Woman and First Witch, conveying meaningful and confident performances… Edward Grint as the Sorceress was satisfyingly evil, as were the two witches who were deliciously malicious, with strong accurate singing from all three.
Bachtrack, January 2019
Written by Mark Thomas
Led by a solo mezzo-soprano- a step-out from the choir by a fearless Martha McLorinan.
theartsdesk.com, July 2018
Written by David Benedict
Judith Bingham’s very chromatic “A Walk with Ivor Gurney” concentrated on women’s voices and featured a superb solo from mezzo-soprano Martha McLorinan.
Hereford Times, July 2018
Written by Peter Fletcher
This music was conceived for Dame Sarah Connolly but here the role was taken, with great assurance and musicianship, by Martha McLorinan
seenandheardinternational.com, July 2018
Written by John Quinn
Martha McLorinan was outstanding in the many significant alto solos Bach demands.
Birmingham Post, April 2018
Written by Christopher Morley